Maxime
Fauconnier

  • Work
    • —Selected photographs
    • —The Beginning of Anything
    • —Cutting On Action
    • —The Dragon's Tail
    • —One's Island
    • —Julian
    • —On Escaping: One
    • —silence turns into a small road
    • —Bomb Sunrise
    • —All this dust between you and me
    • —Agadir: Street corner at night
    • —Central Park rain (positive/negative)
    • —Three entrances in Spain
    • —Confession Scene (River)
    • —There is an ancient Indian saying…
    • —FIREWALK
    • —Luciferin
    • —Talismans
    • —Time stood still (in development)
    • —Turning Points: One Year (in development)
  • About

 

Work
Selected photographs The Beginning of Anything Cutting On Action The Dragon's Tail One's Island Julian On Escaping: One silence turns into a small road Bomb Sunrise All this dust between you and me Agadir: Street corner at night Central Park rain (positive/negative) Three entrances in Spain Confession Scene (River) There is an ancient Indian saying… FIREWALK Luciferin Talismans Time stood still (in development) Turning Points: One Year (in development)
About

 

Previous / Next ( of )
  • The Dragon’s Tail, 2019

    Film, 6’36’’, black and white, stereo, 16:9, 25 fps

    “The Dragon’s Tail” consists of a visually dense poem transcribed into subtitles over a black screen. The voice reciting the poem is ethereal yet distorted, saturated, as if sharing a secret through a walking-talkie or during a radio transmission. Although the viewer is denied visual identification with the narrator or the subject, the voice seemingly possesses the ability to move through time and space. Reflecting on our collective visual memory, the film questions if imagining something can be as truthful as experiencing it in reality.